UPSC CSE Prelims
Indian Art & Culture Previous Year Questions (PYQs)
Solved Previous Year Questions (PYQs) for Indian Art & Culture in UPSC CSE Prelims in English & Hindi Medium.
Chapter Breakdown: Scroll →
Pandit Mallikarjun Mansur, the famous classical singer from Karnataka, represented the :
Detailed Explanation:
Pandit Mallikarjun Mansur (1910–1992) was one of the greatest Hindustani classical vocalists from Karnataka and is best known as a leading exponent of the Jaipur-Atrauli Gharana.
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He received advanced training under Ustad Manji Khan and Ustad Bhurji Khan, sons of the gharana's founder Ustad Alladiya Khan.
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He was renowned for his mastery over rare and complex ragas.
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Therefore, Option D is the correct answer.
Why Other Options Are Wrong
| Gharana | Why Incorrect? |
|---|---|
| Agra Gharana | Known for powerful voice culture and rhythmic complexity, but not associated with Mallikarjun Mansur. |
| Gwalior Gharana | Mansur initially trained in this style but later became a Jaipur-Atrauli exponent. |
| Patiala Gharana | Famous for Bade Ghulam Ali Khan and intricate taans; unrelated to Mansur. |
| Jaipur-Atrauli Gharana | Mallikarjun Mansur's principal gharana. ✅ |
Jaipur-Atrauli Gharana
| Feature | Details |
|---|---|
| Founder | Ustad Alladiya Khan |
| Type | Hindustani Classical Music |
| Speciality | Rare ragas, complex layakari, intricate taans |
| Famous Exponent | Pandit Mallikarjun Mansur |
| Style | Open-throated singing and sophisticated raga presentation |
Important Facts
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The Jaipur-Atrauli Gharana is one of the most respected gharanas of Hindustani music.
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It is particularly known for preserving and performing rare (Jod and Sankirna) ragas.
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Pandit Mallikarjun Mansur played a major role in popularizing this tradition across India.
Consider the following statements with regard to the film 'Boong':
- The film has recently won the British Academy of Film and Television Arts (BAFTA) Award in the Children's and Family Film category.
- The film is directed by Lakshmipriya Devi.
- This is the first Indian film to win a BAFTA award in the Children's and Family Film category.
Which of the statements given above is/are correct?
Detailed Explanation:
Boong is a Manipuri-language coming-of-age film that achieved a historic milestone at the BAFTA Awards.
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Statement 1 is Correct: Boong won the BAFTA Award for Best Children's and Family Film.
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Statement 2 is Correct: The film was written and directed by Lakshmipriya Devi.
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Statement 3 is Correct: It became the first Indian film to win a BAFTA award in the Children's and Family Film category.
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Therefore, all three statements are correct, making Option A the correct answer.
Which of the following statements on the Amaravati Stupa and its relief sculpture is/are correct ?
- It was located in the lower Krishna valley.
- In India, it was next only to the Sanchi Stupa in size.
- The Amaravati school of sculpture made a lasting impact on the later South Indian sculpture, and its products were carried to Sri Lanka and South-east Asia.
Select the answer using the code given below :
Detailed Explanation:
The Amaravati Stupa (Maha Chaitya) was an important Buddhist monument of ancient India.
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Statement 1 is Correct: It was located in the lower Krishna River valley in present-day Andhra Pradesh.
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Statement 2 is Incorrect: Amaravati Stupa was larger than the Great Stupa at Sanchi and is considered one of the largest stupas in India.
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Statement 3 is Correct: The Amaravati School of Sculpture greatly influenced later South Indian art and spread to Sri Lanka and Southeast Asia through trade and cultural contacts.
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Therefore, Statements 1 and 3 are correct, making Option B the correct answer.
Statement-wise Analysis
| Statement | Status | Explanation |
|---|---|---|
| It was located in the lower Krishna valley. | ✅ Correct | Situated in present-day Andhra Pradesh along the Krishna River. |
| It was next only to the Sanchi Stupa in size. | ❌ Incorrect | Amaravati Stupa was actually larger than Sanchi Stupa. |
| Its sculpture influenced South India, Sri Lanka and Southeast Asia. | ✅ Correct | Amaravati art spread through maritime trade and cultural exchanges. |
Amaravati Stupa & Amaravati School of Art
| Feature | Details |
|---|---|
| Location | Amaravati, Andhra Pradesh |
| River Valley | Lower Krishna Valley |
| Period | Mainly Satavahana Period |
| Also Known As | Maha Chaitya |
| Material Used | White Limestone |
| Art Style | Amaravati School (Andhra School) |
Important Features
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Famous for its intricate narrative relief sculptures depicting Jataka tales and events from Buddha's life.
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Early Buddhist art at Amaravati largely followed the aniconic tradition, later incorporating Buddha images.
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Influenced later Pallava, Chola, Sri Lankan, and Southeast Asian sculpture traditions.
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Which one of the following Carnatic music ragas is similar to Raga Bilawal in Hindustani music ?
Detailed Explanation:
Indian classical music has two major traditions: Hindustani (North Indian) and Carnatic (South Indian). Many ragas in these systems have equivalent scales.
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Dheera Shankarabharanam in Carnatic music is equivalent to Raga Bilawal in Hindustani music.
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Both use all Shuddha (natural) notes and correspond to the Western Major Scale (Ionian Mode).
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Nat Bhairavi, Kamavardhini, and Hanumatodi correspond to other Hindustani thaats/ragas.
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Therefore, Option D is the correct answer.
Why Other Options Are Wrong
| Option | Hindustani Equivalent | Why Incorrect? |
|---|---|---|
| Nat Bhairavi | Asavari Thaat | Not equivalent to Bilawal |
| Kamavardhini (Pantuvarali) | Poorvi Thaat | Different note structure |
| Hanumatodi | Bhairavi Thaat | Different scale |
| Dheera Shankarabharanam | Bilawal Thaat / Raga Bilawal | ✅ Correct Answer |
The Hallisalasya painting in the Bagh Caves represents :
Detailed Explanation:
The Hallisalasya painting in the Bagh Caves (Madhya Pradesh) depicts a joyous folk dance performed by a group of women.
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Female dancers are shown dancing in a circle while striking small wooden sticks, similar to modern Dandiya or Garba.
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The dancers are accompanied by female musicians playing instruments such as the hudukka (drum) and cymbals.
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The painting is an important source for understanding the social and cultural life of ancient India.
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Therefore, Option A is the correct answer.
Why Other Options Are Wrong
| Option | Why Incorrect? |
|---|---|
| Buddha in a meditative pose | Hallisalasya is a secular folk-dance scene, not a Buddhist religious depiction. |
| Shiva and Parvati on Kailasha | This theme is associated with Hindu cave art such as Ellora and Elephanta, not Bagh Caves. |
| Samudramanthan | The Hallisalasya mural does not depict the Churning of the Ocean. |
| A joyous folk dance | Depicts women dancing and musicians performing. ✅ |
Bagh Caves
| Feature | Details |
|---|---|
| Location | Dhar District, Madhya Pradesh |
| Period | 5th–6th Century CE (Gupta Period) |
| Type | Rock-cut Buddhist Viharas |
| Famous Cave | Cave 4 – Rang Mahal |
| Art Style | Murals and fresco-like paintings |
| Hallisalasya Painting | Depicts a lively folk dance scene |
Important Facts
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The Bagh Caves are known for their vibrant mural paintings depicting both religious and secular themes.
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The Hallisalasya mural is valued for showcasing everyday life, music, dance, and cultural traditions of the Gupta period.
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It is often compared to modern Dandiya/Garba due to the use of sticks in the dance.
Which of the following temples has/have a Nagara-style shikhara ?
- Malegitti Shivalaya, Badami
- Huchimalligudi Temple, Aihole
- Dashavatara Temple, Deogarh
- Virupaksha Temple, Pattadakal
Select the answer using the code given below :
Detailed Explanation:
The Nagara style of temple architecture is characterized by a curvilinear (beehive-shaped) shikhara and is mainly associated with North India.
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Statement 1 is Incorrect: Malegitti Shivalaya, Badami is built in the Dravida style and does not have a Nagara shikhara.
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Statement 2 is Correct: Huchimalligudi Temple, Aihole features a curvilinear Nagara-style shikhara.
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Statement 3 is Correct: Dashavatara Temple, Deogarh is one of the earliest examples of a Nagara-style temple in North India.
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Statement 4 is Incorrect: Virupaksha Temple, Pattadakal is a classic Dravida-style temple with a pyramidal vimana.
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Therefore, statements 2 and 3 are correct, making Option B the correct answer.
Nagara vs Dravida Architecture
| Feature | Nagara Style | Dravida Style |
|---|---|---|
| Region | North India | South India |
| Tower | Curvilinear Shikhara | Pyramidal Vimana |
| Top Element | Amalaka and Kalasha | Stupika |
| Plan | Generally Square | More Complex Layouts |
| Examples | Dashavatara Temple, Kandariya Mahadeva Temple | Brihadeshwara Temple, Virupaksha Temple |
Important Facts
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Aihole is known as the "Cradle of Indian Temple Architecture."
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Pattadakal contains both Nagara and Dravida style temples.
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Dashavatara Temple (Deogarh) is a famous Gupta-period temple and an early example of Nagara architecture.
Memory Trick:
👉 Nagara = North = Curved Shikhara
👉 Dravida = South = Pyramid Tower
Which one of the following statements with regard to the Moidams, built by the Tai-Ahom kingdom and inscribed as a World Heritage Site by UNESCO, is/are correct ?
- They acted as army fortresses.
- They were recreation centres of the Royals and Nobles.
- They were burial grounds of the Royals and Nobles.
- They were battle drill centres of the Royals and Nobles.
Select the answer using the code given below :
Detailed Explanation:
Moidams (Maidams) are the traditional burial mounds of the Tai-Ahom Kingdom in Assam.
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Statement 1 is Incorrect: Moidams were not army fortresses.
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Statement 2 is Incorrect: They were not recreation centres for royals and nobles.
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Statement 3 is Correct: Moidams served as burial grounds (royal necropolis) for Ahom kings, queens, and nobles.
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Statement 4 is Incorrect: They were not battle drill centres.
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Therefore, only Statement 3 is correct, making Option C the correct answer.
Why Other Statements Are Wrong
| Statement | Why Incorrect? |
|---|---|
| Army fortresses | Moidams were funerary monuments, not military structures. |
| Recreation centres | No historical evidence suggests their use for leisure activities. |
| Battle drill centres | They were burial sites, not military training grounds. |
The first Gandharva Mahavidyalaya, a music training school, was set up in 1901 by Vishnu Digambar Paluskar in
Detailed Explanation:
Correct Answer: ✅ Option 4 (Lahore)
Vishnu Digambar Paluskar founded the first Gandharva Mahavidyalaya in Lahore in 1901. His objective was to make Hindustani classical music accessible to common people through formal institutional education.
✅ Statement I is Correct: The first Gandharva Mahavidyalaya was established in Lahore in 1901.
✅ Statement II is Correct: Paluskar broke the traditional gharana-based exclusivity and promoted systematic music education for all sections of society.
❌ Delhi, Gwalior and Ujjain are Incorrect: Although Gandharva Mahavidyalaya later expanded to other cities, the first institution was established in Lahore.
Short Notes: Vishnu Digambar Paluskar and Gandharva Mahavidyalaya
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Vishnu Digambar Paluskar (1872–1931) was a pioneer of Hindustani classical music.
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He founded the first Gandharva Mahavidyalaya in 1901 at Lahore.
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The institution promoted formal music education outside the hereditary gharana system.
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Paluskar played a major role in popularizing classical music among the masses.
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He standardized music teaching through structured curricula and notation.
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The Gandharva Mahavidyalaya movement later spread to many Indian cities.
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He is regarded as one of the architects of modern Hindustani music education.
Which one of the following was the latest inclusion in the Intangible Cultural Heritage List of UNESCO ?
Detailed Explanation:
Answer: Option 3 — Garba dance
Garba dance from Gujarat was inscribed in the UNESCO Representative List of Intangible Cultural Heritage of Humanity in December 2023 during the 18th session of the Intergovernmental Committee held in Kasane, Botswana. Among the given options, this is the most recent inclusion, making it the correct answer.
📝 Short Notes: Indian Entries in UNESCO Intangible Cultural Heritage List (Chronological)
| Year | Cultural Heritage | Region/State |
|---|---|---|
| 2008 | Ramlila (Traditional Performance of Ramayana) | Uttar Pradesh |
| 2008 | Kutiyattam (Sanskrit Theatre) | Kerala |
| 2008 | Ramman (Religious Festival and Ritual Theatre) | Uttarakhand |
| 2009 | Mudiyettu (Ritual Theatre and Dance Drama) | Kerala |
| 2009 | Kalbelia Folk Songs and Dances | Rajasthan |
| 2010 | Chhau Dance | Odisha, Jharkhand, West Bengal |
| 2010 | Buddhist Chanting of Ladakh | Ladakh |
| 2013 | Sankirtana (Ritual Singing, Drumming and Dancing) | Manipur |
| 2014 | Thatheras of Jandiala Guru (Brass and Copper Craft) | Punjab |
| 2016 | Yoga | Pan-India |
| 2016 | Novruz (Shared with 11 countries) | Shared heritage |
| 2017 | Kumbh Mela | Uttar Pradesh, Uttarakhand, Madhya Pradesh, Maharashtra |
| 2021 | Durga Puja | West Bengal |
| 2023 | Garba Dance | Gujarat |
Which one of the following is a work attributed to playwright Bhasa?
Detailed Explanation:
Answer: Option 3 — Madhyama-vyayoga
Madhyama-vyayoga is a famous Sanskrit play attributed to Bhasa, one of ancient India's most celebrated playwrights who predated Kalidasa. The play, meaning 'The Middle One', is part of a trilogy based on the Mahabharata and showcases Bhasa's characteristic dramatic intensity and emotional depth.
Let's examine why the other options are incorrect:
❌ Option 1 – Kavyalankara: This is a treatise on Sanskrit poetics (alamkara shastra) composed by the scholar Bhamaha, not Bhasa.
❌ Option 2 – Natyashastra: This foundational text on Indian dramaturgy, dance, and performing arts is attributed to the sage Bharata Muni, not Bhasa.
❌ Option 4 – Mahabhashya: This is the great commentary on Panini's Ashtadhyayi grammar, composed by the grammarian Patanjali, not a dramatic work by Bhasa.
📝 Short Notes: Bhasa and Classical Sanskrit Drama
| Aspect | Details |
|---|---|
| Bhasa's Period | 3rd-4th century CE (possibly earlier); predated Kalidasa |
| Major Works | 13 plays attributed to him including Svapnavasavadatta, Pratijnayaugandharayana, Pancharatra, Madhyama-vyayoga, Dutavakya, Karnabhara, Urubhanga |
| Themes | Mostly based on Mahabharata, Ramayana, and Buddhist stories; known for emotional intensity and heroic characters |
| Style | Simple yet powerful dialogue; expert use of prakrit languages; focus on action and sentiment (rasa) |
| Madhyama-vyayoga | Part of a trilogy depicting events from Mahabharata; centers on Bhima as the 'middle' Pandava brother |
| Discovery | Bhasa's plays were rediscovered in early 20th century by Pandit Ganapati Shastri in Kerala |
Consider the following properties included in the World Heritage List released by UNESCO:
- Shantiniketan
- Rani-ki-Vav
- Sacred Ensembles of the Hoysalas
- Mahabodhi Temple Complex at Bodhgaya
How many of the above properties were included in 2023?
Detailed Explanation:
Answer: Option 2 — Only two
Out of the four UNESCO World Heritage Sites listed, only two were inscribed in 2023: Shantiniketan (inscribed in September 2023) and Sacred Ensembles of the Hoysalas (inscribed in September 2023). The other two sites were inscribed much earlier: Rani-ki-Vav was added to the list in 2014, and the Mahabodhi Temple Complex at Bodhgaya was inscribed in 2002.
📝 Short Notes: India's UNESCO World Heritage Sites - Recent Additions
- Shantiniketan (2023): Founded by Maharshi Debendranath Tagore in 1863 and expanded by Rabindranath Tagore into Visva-Bharati University in 1921; represents a unique blend of traditional Indian and modern Western educational philosophies.
- Sacred Ensembles of the Hoysalas (2023): Comprises three magnificent temples - Chennakeshava Temple (Belur), Hoysaleswara Temple (Halebidu), and Keshava Temple (Somanathapura); built during 12th-13th centuries CE; famous for star-shaped platforms (jagatis) and intricate stone carvings.
- Rani-ki-Vav (2014): An 11th-century stepwell in Patan, Gujarat; built by Queen Udayamati of the Solanki dynasty as a memorial to King Bhimdev I; showcases exceptional stepwell architecture with intricate sculptures.
- Mahabodhi Temple Complex (2002): Located at Bodhgaya, Bihar; originally built by Emperor Ashoka in 3rd century BCE; marks the site where Gautama Buddha attained enlightenment; one of the earliest Buddhist temples built entirely in brick.
- India's UNESCO Count: As of 2023, India has 42 UNESCO World Heritage Sites (34 cultural, 7 natural, and 1 mixed), making it the sixth country globally with the most sites.
With reference to ancient India, consider the following statements:
- The concept of Stupa is Buddhist in origin.
- Stupa was generally a repository of relics.
- Stupa was a votive and commemorative structure in Buddhist tradition.
How many of the statements given above are correct?
Detailed Explanation:
Answer: Option 2 — Only two
Out of the three statements, only statements 2 and 3 are correct. While stupas were indeed repositories of relics and served as votive and commemorative structures in Buddhist tradition, the concept of stupa itself predates Buddhism and originated as pre-Buddhist burial mounds.
❌ Statement 1 – Incorrect: The concept of stupa is not Buddhist in origin; it existed in pre-Buddhist times as burial mounds and was later adopted and transformed by Buddhism into a sacred monument.
✅ Statement 2 – Correct: Stupas generally served as repositories of relics, containing physical remains or belongings of the Buddha or revered Buddhist monks.
✅ Statement 3 – Correct: Stupas functioned as votive (devotional offerings) and commemorative structures, marking significant events in Buddha's life or expressing religious devotion.
📝 Short Notes: Stupas in Ancient India
- Pre-Buddhist Origin: Stupas originally existed as burial mounds (chaityas) in ancient India before Buddhism emerged.
- Buddhist Adoption: Buddhism adopted and transformed the stupa into a central religious monument, especially after Buddha's Parinirvana (483 BCE).
- Purpose: Stupas served triple functions - repositories of sacred relics (sarira), commemorative monuments marking important Buddhist events, and votive structures built as acts of devotion.
- Key Components: A typical stupa consists of a hemispherical dome (anda), a square railing (harmika), and an umbrella-like structure (chhatravali).
- Famous Examples: Sanchi Stupa (Madhya Pradesh), Amaravati Stupa (Andhra Pradesh), and Dhamek Stupa (Sarnath) represent different architectural styles and periods.
- Circumambulation: Devotees perform pradakshina (clockwise walking) around stupas as a form of worship and meditation.
In which one of the following regions was Dhanyakataka, which flourished as a prominent Buddhist centre under the Mahasanghikas, located?
Detailed Explanation:
Answer: Option 1 — Andhra
Dhanyakataka (modern-day Amaravati in Andhra Pradesh) was an ancient city located in the Andhra region of South India. It flourished as a prominent Buddhist centre under the Mahasanghika sect, one of the earliest Buddhist schools that later influenced the development of Mahayana Buddhism. The site is renowned for its magnificent stupa and sculptural art, making it a major pilgrimage and learning centre in ancient times.
📝 Short Notes: Ancient Buddhist Centres in India
| Buddhist Centre | Region/Location | Associated Sect/Significance |
|---|---|---|
| Dhanyakataka (Amaravati) | Andhra Pradesh | Mahasanghika sect; famous stupa with elaborate sculptures |
| Taxila | Gandhara (Pakistan) | Major learning centre; Gandhara art style |
| Nalanda | Magadha (Bihar) | Great monastic university; Mahayana Buddhism |
| Vikramashila | Magadha (Bihar) | Established by Dharmapala; Tantric Buddhism |
| Sanchi | Madhya Pradesh | Famous stupa commissioned by Ashoka |
| Dhauli | Kalinga (Odisha) | Rock edicts of Ashoka; site of Kalinga War |
Consider the following pairs :
Site : Well known for
- Besnagar : Shaivite cave shrine
- Bhaja : Buddhist cave shrine
- Sittanavasal : Jain cave shrine
How many of the above pairs are correctly matched?
Detailed Explanation:
Answer: Option 2 — Only two
Out of the three given pairs, two are correctly matched. Bhaja is correctly associated with Buddhist cave shrines (2nd century BC rock-cut caves near Pune), and Sittanavasal is correctly known for Jain cave shrines (ancient Jain monument in Tamil Nadu). However, Besnagar (Vidisha, Madhya Pradesh) is not particularly known for a Shaivite cave shrine; it is more famous for the Heliodorus Pillar, an ancient Garuda pillar dedicated to Lord Vishnu, along with remains of Buddhist, Jain, and Hindu temples.
✅ Pair 1 (Besnagar : Shaivite cave shrine) – Incorrect: Besnagar (Vidisha) is primarily known for the Heliodorus Pillar (Garuda pillar dedicated to Vishnu), not for a Shaivite cave shrine.
✅ Pair 2 (Bhaja : Buddhist cave shrine) – Correct: Bhaja Caves in Maharashtra are well-known rock-cut Buddhist caves dating to the 2nd century BC.
✅ Pair 3 (Sittanavasal : Jain cave shrine) – Correct: Sittanavasal in Tamil Nadu is famous for its ancient Jain cave shrine with beautiful frescoes.
📝 Short Notes: Famous Cave Shrines of India
| Site | Location | Religious Association | Key Features |
|---|---|---|---|
| Bhaja Caves | Maharashtra (near Pune) | Buddhist | 22 rock-cut caves, 2nd century BC, Hinayana architecture |
| Sittanavasal | Tamil Nadu (Pudukottai) | Jain | Ancient Jain cave temple with frescoes, Ardhanari cave |
| Elephanta Caves | Maharashtra (Mumbai) | Shaivite (Hindu) | UNESCO site, famous Trimurti sculpture of Shiva |
| Ajanta Caves | Maharashtra (Aurangabad) | Buddhist | UNESCO site, 30 caves with paintings and sculptures |
| Ellora Caves | Maharashtra (Aurangabad) | Buddhist, Hindu, Jain | 34 caves, Kailasa temple (Cave 16), UNESCO site |
| Badami Caves | Karnataka | Hindu & Jain | 4 caves, Chalukyan architecture, 6th century |
| Udayagiri Caves | Madhya Pradesh (Vidisha) | Hindu (Vaishnavite) | Gupta period, Varaha sculpture |
With reference to ancient Indian History, consider the following pairs:
Literary work: Author
- Devichandragupta: Bilhana
- Hammira-Mahakavya: Nayachandra Suri
- Milinda-panha: Nagarjuna
- Nitivakyamrita: Somadeva Suri
How many of the above pairs are correctly matched?
Detailed Explanation:
Answer: Option 2 — Only two
This question tests the correct pairing of ancient Indian literary works with their respective authors. Out of the four given pairs, only two are correctly matched—Hammira-Mahakavya with Nayachandra Suri and Nitivakyamrita with Somadeva Suri.
❌ Pair 1 – Incorrect: Devichandraguptam was authored by Vishakhadatta, a renowned Sanskrit playwright, not by Bilhana who was a later Kashmiri poet famous for Vikramankadevacharita.
✅ Pair 2 – Correct: Hammira-Mahakavya was indeed composed by Nayachandra Suri, a Jain scholar and poet, celebrating the valor of Chauhan ruler Hammiradeva.
❌ Pair 3 – Incorrect: Milinda-Panha (Questions of King Milinda) records dialogues between Buddhist monk Nagasena and Indo-Greek King Menander (Milinda), not Nagarjuna who was a later Mahayana philosopher.
✅ Pair 4 – Correct: Nitivakyamrita, a work on political ethics and wisdom, was written by Somadeva Suri, a Jain scholar.
📝 Short Notes: Ancient Indian Literary Works and Authors
| Literary Work | Actual Author | Period/Tradition | Key Features |
|---|---|---|---|
| Devichandraguptam | Vishakhadatta | 5th-6th century CE | Sanskrit drama about Chandragupta II and Dhruvadevi |
| Hammira-Mahakavya | Nayachandra Suri | 15th century CE, Jain | Epic poem on Chauhan ruler Hammiradeva's heroism |
| Milinda-Panha | Anonymous (records Nagasena's dialogues) | 2nd century BCE-1st century CE, Theravada Buddhism | Philosophical dialogue on Buddhist concepts |
| Nitivakyamrita | Somadeva Suri | 10th century CE, Jain | Ethical maxims and political wisdom |
- Bilhana: 11th-century Kashmiri poet, authored Vikramankadevacharita and Caurapancasika
- Nagarjuna: 2nd-century CE Mahayana Buddhist philosopher, founder of Madhyamaka school; authored Mulamadhyamakakarika
- Nagasena vs Nagarjuna: Often confused—Nagasena was a Theravada monk (2nd century BCE), while Nagarjuna was a Mahayana philosopher (2nd century CE)
- Vishakhadatta: Also authored Mudrarakshasa, a political drama about Chandragupta Maurya and Chanakya
- Jain Literary Contributions: Both Nayachandra Suri and Somadeva Suri represent the rich tradition of Jain scholarship in ethics, politics, and literature